More about Noetitek Art™

A better understanding of this post can be gained by first reading: “What is Noetitek™?” (June, 2013), “Noetitek™ Art” (February, 2009), and “Noetitek House Art™” (August, 2012).  

Noetitek Art™ opens and represents a new genre of art: “abstract meta-naturalism.” 

The style of the Noetitek™ paintings is chromatic, using hard-edge techniques and geometric elements to construct a universal and visual language to transliterate the omnipresent Language of Nature and allow its expression through images akin to magical sigils, ciphers, and mandalas in that they make connections at deep levels of consciousness. The Noetitek™ style draws on science, religion, and magic, blending empiricism, spirit, and emotion with esoteric knowledge of the primal energies that drive manifestation at all levels of Mind and Matter. Meta-naturalism heralds a third scientific and technological revolution, a quantum step beyond both Newton’s absoluteness and Einstein’s relativity. Its mission: to help unite, harmonize, and expand human intelligence through enlightened communication among individuals, nations, and, perhaps, worlds.

Until becoming substantially displaced and divided up by a scientific perspective of Nature vis-à-vis a religious perspective—the one devoid of Spirit, the other devoid of Reason—art served the human desire to comprehensively connect with the divine, and in Renaissance paintings such as Mona Lisa, The Ambassadors, Knight, Death, and the Devil, Melancholia I, The Three Graces, and many others, art succeeded where both religion and science failed and have, for the most part, continued to fail (to wit: Bible mysteries persist and quantum theories abound). And, in recent years, as the societal force of science has become more and more religious (e.g., The Secret, What the Bleep…, and cults of the quantum), and as religion has concurrently busied itself acquiring ideas from science (e.g., the Vatican Observatory and the Pope’s apology to Galileo), art has become increasingly abstract and irrational—flailing about desperately like a drowning swimmer—in its search for an advanced approach to communion with the divine. The theme in all three arenas today is chaos.

The need is for images reflecting a Science of Spirit that reveals the metaphysical unity and its higher-natural process without resorting to mimicking the “concrete” world. NoetiTao™ is that Science of Spirit, and Noetitek™ Art makes the connection to light the way to a New Renaissance that integrates the imperatives of Science, Religion, and Magic without graven images of the lower reality. The rendering of art and the purpose of its visual magic, from Stone Age cave paintings to artworks of the Modern Age, has involved ingenious techniques to trick the eye open to witness a higher level of being towards enabling a better understanding of the “concrete reality.” Renaissance Art created a bridge between those worlds by masterfully blending realism and enlightened idealism—subject and object. “Portraits” of the concrete expressing the invisible, such as Mona Lisa, prove that intellectual art—art representing a physical-metaphysical interface—can be aesthetically pleasing, even decorative, contrary to traditional wisdom.

In our view, the late works of Francisco Goya, his Black Paintings, marked the real sundown of the European Renaissance. But a new light soon began emerging from out of Goya’s darkness: the colorful and energy-filled Realist works of Vincent van Gogh. Paul Cézanne’s explorations into geometric simplification and optical phenomena followed, and Pablo Picasso’s experiments in cubism carried that torch toward a New Renaissance, a renaissance acknowledging roots that reach back beyond Classical Antiquity to the earliest painters on the walls of caves, while stretching ahead to establish its vision for the 21st century. Yet, even as Picasso—in the midst of his disassembling and reassembling of windows on the paradoxical “concrete Illusion”—managed to transfer his insights through paint to canvas, his connection to Source Energy Awareness (SEA) lacked metaphysical coherence, unity with the divine.

Noetitek™ Art incorporates and goes beyond those efforts to unite and commune with the divine implicate order; it facilitates seeing the “concrete” world itself as the Spirit’s canvas, and facilitates learning that we are all consummate artists operating from that higher level in our dreams as well as in our waking lives. Tricks such as the use of “linear perspective” are inadequate to meet this challenge; instead, Noetitek™ Art embeds “cosmic triggers” in the design of each image. Through these triggers—whether realized consciously or not—Noetitek™ Art facilitates direct connections with the metaphysical. Each work is, therefore, “psychotronic,” a symbolic device that makes not only a visual statement but also makes an empowering connection with the multidimensional forces and purposes of each such statement. So, Noetitek™ Art is a catalyst and conduit connecting receptive human consciousness with the higher Consciousness of Creational energy and the Reality of its metaphysical structures. In short, it helps the viewer to see the systemic laws of Nature and their systematic unity from a new perspective on the physical world of the human eye.

Compared to the Old Renaissance that swept across Europe at a certain level of society, we envision the emerging Renaissance sweeping across the planet at all socio-economic levels. The elements of Noetitek™ Art reflect both Eastern and Western occultism, and the Noetitek™ designs invite viewers to use them to make metaphysical connections and receive new knowledge of themselves as well as Omniverse. Because of the nature of the style, Noetitek™ Art is able to be reproduced in mediums that represent monetary investments as well as mediums affordable by anyone. Noetitek™ artworks are not meant to be one-of-a-kind, not meant to be valued by the buyer’s sole possession, nor are they intended to be valued based on their commercial worth in mass-reproduction. Their value as sacred objects is independent of medium.


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